Stairs and Stuff (Part Two)

So I had my idea for a new mobile film, the question I needed to ask myself was ye old ‘How am I going to make it?’


In case you haven’t watched it yet...

My first mobile film (CONNECTED) was shot and recorded almost 100% on a Sony Ericsson mobile phone. What wasn’t shot and recorded on that phone was recorded on a second almost identical phone. That worked very well for that short film, but a couple years had passed and it seemed like I needed and wanted to do something that was, for lack of a better phrase, ‘a step up’. Not to mention that I was now using an iPhone as my phone. Well, there was my answer: I’ll just use the same thinking I did on my first mobile film: use the phone I’m using to shoot the film.

When I first heard of the whole mobile film concept, I thought the idea was to shoot films with a phone. It was only after I finished CONNECTED and had the film accepted into the 2009 Hong Kong Mobile Film Festival did I find out that my film was quite possibly the ONLY film accepted that was recored using a mobile phone. I got that impression when I watched the other submitted films, but also at the judging panel interview as they seemed interested in exactly to what extent I did use the phone as a recording device (For the record: not a single frame or sound didn’t pass through the phone’s lens or microphone. It was 100% phone recorded). So I then understood that the “mobile” in mobile film was referring to the viewing device and not the artistic tools used to make the film. I could have shot using an HD cam if I wanted. All’s well that ends well: I won two awards at that festival, for CONNECTED, and one more elsewhere, so the super low resolution of my film didn’t hurt it and it saved me the cost of buying or renting an HD cam.

My general feeling on any creative endeavor is to start under the premise of not how professional I want to look by virtue of the tools people see me holding, but how professional I want the end product to look. The latter philosophy, I find, saves a lot of time and money and the user end shouldn’t know any different. For STAIRS and STARES, why use an HD cam if the film is only supposed to be screened on at the biggest, an iPad sized screen via highly compressed video? So, I decided that if the film is mostly going to be seen on a phone like an iPhone, I may as well use the camera designed to shoot video for said device. And that’s what I did. Every decision artistically or otherwise stemmed from the fact that I would shoot with an iPhone. More about that later.

I did have a problem. I knew that it was likely that I’d play the main part, myself, and so I’d be on camera and I’d have to operate it at the same time. That ruled out another hand held film: I needed a tripod. More importantly, I needed a mount for a tripod that could hold an iPhone. I didn’t even know if anyone made such an item so I did what anyone would do: I searched online. I found a couple mounts on Amazon.com that looked ok and would have done the job, but I came across something much more interesting on my internet travels: Owle Bubo!

owle2
This sweet thing is a solid piece of aluminum. It’s rock solid!!

The Owle Bubu solved one problem and presented some interesting bells and whistles:

1) It served as a solid tripod mount for the iPhone.
2) It added a simple, yet effective, microphone so I could get better sound recording.
3) It added a 37MM lens option to my shooting options over the standard iPhone lens. Brilliant!

Owle1
Note the small pointable mic on the side. Shockingly, it helps a lot.

The 37MM lens meant my film would look slightly different from other people’s films (if they also shot with an iPhone, that is). I hoped that it would make the shots look a little bit more interesting and slicker. It would also allow me to get wider shots in tight spaces. That was very practical considering my entire film takes place in a stair well where camera positioning with a tripod would be limited.

Needless to say, I bought the Owle Bubo and I bought a decent tripod: I was ready to go!

owle3
The iPhone fits snuggly into the back and we’re off to the races!

I make no mention of writing the script because I never wrote one. I don’t even have a typed or scribbled outline. I knew from the get go that I wouldn’t need a script since there was no dialogue and the basic story is quite simple enough. Also, because so decided that I was going to construct the entire film in editing. I had the whole film mapped out in my head and certain specific shots, such as the final shot in the film before the credits, planned out in enough detail in my head, that, for the most part, I just shot coverage and would work with what I had when I sat down to edit. No need for a script to do that. I liked the puzzle aspect of making a film that way.

Like with CONNECTED, I also didn’t draw a storyboard for this. I’ve drawn storyboards for some 15 years now: I don’t feel the need to storyboard my own stories. It’s easy enough to do it on the spot (on set, as it were).

So, I had my story, my plan and my equipment. I had my principle actor (Me. It was an expedient choice. I’d get what I want the first time, adjust with minimal effort and be available at my own whim) and my location scouted (My own building’s stair well!). All I had to do was get the person I needed to play the part of the second walker. I knew I wanted that part to be a girl and I had I pretty good idea of whom I could ask and whom might agree.

Next: Why is it every time I do something like acting, it’s always so dang hot?

In the meantime...

HIM
The new page (pg 50) has been posted over at HIMcomic. No pick to click on, this week! Just click on the link (you just passed it!) and get the latest page! YAY!

-Steve