Listen to Me... MoMo...

Spring Cleaning: Part Three

A few things to look at:

First up is a two shot of a couple God of Dance characters posing from the original one-sheet poster I drew.

The poster was originally not done by me (I’d only provided a bunch of rough character designs), but the original poster that was made was deemed to be not up to par and so I was asked if I could make one up as quickly as I could. I think I could have taken a week, but I don’t like to let things drag on so I did it in about a day and a half (I think it was much more urgent than I was told, anyway. I was doing it for free so you can’t really push a guy who is working for nothing and I think that’s why I was told I could take a week). About the only reason it took more than a day was because I was using a mouse to color the characters. I didn’t have a Cintiq, back then, and I didn’t like using a tablet for coloring.

Giving the fact that I was under time constraints, I decided it was best to see what materials I had on hand and use whatever I could that was already finished art and only create new art as I needed it. I looked at the character rotations I had already done to see if any of those poses could be used as is. Yup, a few of then could. One, Rasta, needed to be colored, but the rest I could drag and drop into place. That left the need to draw a new Ramen pose as well as a couple other characters. I also needed to design one more character to fill out the scene: I call her Cherry and she can be seen in the illustration, below.

Cherry-and-Ringo

This next illustration was a test I threw together to see what a scene drawn and roughly painted at post-it note size would look like in full color. After having animated Listen to Me... MoMo... on post-it notes, I wondered if I might try something more detailed and see how it works out. My conclusion is that, based on this rough sketch, it could look just fine for small screens like YouTube or mobile devices and that it is better to pay people to hand animate than do it myself. I knew there was a reason I draw storyboards and never wanted to be an animator.

GoD_test_col

Finally... For a period of about 5 or 6 years, I used to teach English on Saturdays to children as a means to get out of the house, once and a while. I had a class cancelled, one afternoon, and since I had my computer with me, I thought I’d do something to keep myself occupied. It was summer and hot and going out didn’t seem like a good idea.

Shortly before, I had been given a bunch of Layout and Animation drawings from the latest BLACK JACK Anime series from Japan by an acquaintance in Shanghai who owns an animation studio that does a lot of work for Various Japanese studios, such as Production I.G. and Tezuka Studios. He knows I like to look at production art and so he scanned me these layouts to look at.

So, I picked one to see of I could paint a background in Photoshop. Overall, I think it looks pretty good. Granted, it isn’t the hardest background to paint, but then I’m no painter. The students thought it was cool, so I guess it worked for the audience it would be going out it as an actual TV series.

BJ1lo
This initial Layout would have been done in Japan.
BJ1key
This is a Key Animation drawing. I’m not sure if this was done in Japan or if the studio in Shanghai handled it. The Japanese writing under the potted plant suggests it was drawn in Japan. Note how off model the characters are in the Layout and how the Key Animator is responsible for correcting model. If he can’t do it, there is another final step of quality control.
BJ1
Hmm... The original Photoshop file’s colors are deeper and richer than this, but what are ya gonna do?

A final note: I’ve never actually seen the Anime version of Black Jack, but I’m a big fan of the comic series and highly recommend it.

-Steve.
Comments

MoMo Animatic (Spring Cleaning Part Two)

What did I find on my hard drive, today: The animatic I made for Listen To Me... MoMo...



After I read the book ‘Nee... Marimo’, from which Listen To Me... MoMo... was adapted, I quickly drew up a storyboard of how I saw a filmed version playing out. Serendipity is something I never ignore and so when a friend mentioned that a studio he was working for were filming their animatics (Filmed storyboard panels cut like a real film) buy using iMovie, I thought I’d give it a try. So what did I have on hand to shoot as an animatic? Well, I could have used one of the numerous storyboards I’ve drawn over the years, but then it occurred to me that I should scan and edit a MoMo animatic since I had the storyboard ready and it would be more fun and productive.

14-1

As is the case with pretty much any Apple product (hardware or software) I have used, I didn’t read a word about how to use iMovie and in a few hours, I’d had a completely edited animatic without sound and without problems. About the only thing that I wasn’t pleased with was controlling the pan slow in and out speeds (I didn’t want any), but otherwise, it was easy to use and I got the results I needed for creating a functioning animatic.

14-2

Originally, I was going to compose the music myself, but I wanted to fine tune the cuts to some temp music for the fun of it. The first tracks I thought of were the two that ended up in the final film. Both are from the soundtrack to the film StarRunner, scored by the great Henry Lai. I met Henry several years ago to talk about music and he was nice enough to give me a copy of the StarRunner soundtrack. I listened to it for the next couple of weeks non-stop as I walked around town: it is a great score. So, I took the two tracks that I thought would serve as good temp music and they just worked perfectly: they had the right feel I wanted and even the lengths were spot on (Remember what I said about serendipity). I only needed to make minor timing adjustments to some of the shots and eliminate one scene (A shot of an empty dog house) because there simply wasn’t enough music time for it to fit in. I don’t think it is missed, though.

8

Then, I thought I may as well add some temp dial. I just used the built in mic on my iMac for that and it is quite obvious that I did. You sure can hear my air-conditioner hissing away in the background. Still, it is just temp dial and so it need not be perfect. So, yeah, I recorded both parts, myself, and I used Logic, I think, to change the pitch in order to make myself sound more like a girl and a dog. Sadly, I think I do pretty decent girl. My dog voice... it merely does the job. I recorded the temp dial to picture in two passes: one for the girl dial and one for the dog, but both are first takes and I didn’t make any adjustments after recording for timing. A couple of rehearsal takes and then recording was all I did. I’m a big proponent of recording voice acting to picture and music whenever possible over recording before picture, cold: I think you get a much better performance that way.

So once I had the whole animatic finished and watched it several times, I fell in love with the temp music and the last thing I wanted to do was try to score new music myself: I knew I just wasn’t going to get close to the perfect feel the temp music had. So, I gave Henry a ring and asked him if I could use his music as is and he, being the stand up guy he is, said I could.

Frankly, between the excellent original story and illustrations and Henry’s fine music, my job as director was to simply not screw it all up with poor direction. I hope I didn’t.

-Steve.



HIM
The new page (pg 15) has been posted over at HIMcomic. Click on the action packed preview of this week’s thrills to get more comics! BOFFO!
HIM015_preview
Comments

MoMo!

A new film has been added to the FILMS section!

Several years ago, my wife told me about this children’s book that was making everyone at her work cry, and put down, before they could even finish it. For quite a while, I wanted to make a short animated film, but I couldn’t settle on an idea I really liked. Once I read this infamous book, I immediately knew I wanted to adapt it to animation. The story is possibly the most simple yet profound I have ever read. My enthusiasm for making this film was quite intense.

At least a year or more went by before I actually sat down to make the film. The storyboard was done and I’d made an animatic with temp voices and music (which ended up being used as the final music), but I couldn’t figure out how to achieve the rough bumpy line quality of the book illustrations and so the film sat on a shelf. Then, I was struck out of the blue on how I could achieve the line style I wanted and the film proceeded to get made rather quickly.

The results can be seen HERE or click on the picture (below).
Momo_Card-web
-Steve
Comments